EFA STUDIO PROGRAM: Member Artists
Kate Hopkins
Initially inspired by the scales that cover butterfly wings, my work explored the innate calming and grounding physiological effects of biophilic patterns. My work has since become a deep commitment and exploration of my very particular process itself.
Planning begins by calculating a precise grid that defines the rhythm and texture of the final pattern while accommodating different sized brushes. Colors are meticulously planned before I begin. Slow and repetitive, yet demanding unwavering attention to detail, the process requires viewing oneself more as a verb than a noun. The lines between consciousness, time and identity become blurred, not automatically, but by necessity.
The work explores the textile-like quality of the paintings, as well as the similarity in process and labor inherent in mediums such as weaving, quilting, and embroidery. I have become curious about the (for better or for worse) long-associated attributes of kindness, social-activism and altruism with craft movements. My own experience with such a labor intensive process has led me to ask whether there is a “self-expanding” quality to this type of work that leads to a greater sense of connectedness, belonging, and compassion. I deconstruct the psychologically demanding and tedious process to ask if there is meaning behind creative labor that is fundamental to human flourishing both as an individual, and by extension, a community.
